As a young woman, Dodie's ambition was to be an actress, and she enrolled at the Academy of
Dramatic Art (later the Royal Academy of Dramatic Art) with hopes of going on
the stage. But at five feet tall, she was "too short and not attractive
enough," in her own words, so she gave up acting and took a job at Heal's
in London, where she became the store's toy buyer. However, the theatre was always at the back of her mind and in 1929 she wrote avery successful play, Autumn
Crocus, followingthis with a number of other successful plays, including Dear
Octopus, which starred John Gielgud.
During World War II, Dodie and her husband, Alec Beesley, moved to America to avoid the
British draft. She wrote screenplays for Paramount and formed "great
friendships" with other writers, including Christopher Isherwood. Although she missed her home, the couple stayed in America for many years after
the war ended -- they didn't want to put their Dalmatian dogs through the six
months' quarantine that was then required to bring pets into England.
Homesickness helped
inspire Dodie's first novel, I Capture the Castle, which evokes a
peculiarly English version of genteel poverty. The 17-year-old narrator and her
family, who live in a dilapidated house built onto a ruined castle, belong to
"that odd class of intelligent and cultured people who are also unskilled
and unemployable," as Salon writer Charles Taylor put it. From its
much-quoted opening sentence ("I write this sitting in the kitchen
sink") to its bittersweet ending, Smith's witty coming-of-age tale has
captivated adolescent and adult readers alike. Writers from J. K. Rowling and
Susan Isaacs to Armistead Maupin and Erica Jong have praised it for the merits
Penelope Lively summed up as "a good story, flourishing characters."
Dodie's other
well-known work,
The Hundred and One Dalmatians, was published in 1958
and is now considered a classic work of children's literature, though not all
fans of Disney's
101 Dalmatians realize that the movie was based on a
book. (Dodie's sequel to
Dalmatians, a fantasy titled
The Starlight
Barking, bears no resemblance to the Disney film sequel
102 Dalmatians).
Towards the end of her life, Dodie produced four volumes of autobiography:
Look
Back with Love: A Manchester Childhood,
Look Back with Mixed Feelings,
Look Back with Astonishment and
Look Back with Gratitude.
A few of the author's plays are still produced occasionally, but she remains best known for I
Capture the Castle and The Hundred and One Dalmatians. As Sue Summers pointed out in The
Guardian, "Two prose classics in one lifetime is more than most
writers achieve."
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